IN THE PRESS
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The best, the Pasquariello of Alfredo Garcia, Leporello in one piece,
by nerve, duplicity and cunning, and finally here, a strong voice
El Mundo
IN THE PRESS
__________________________________________________________
The best, the Pasquariello of Alfredo Garcia, Leporello in one piece,
by nerve, duplicity and cunning, and finally here, a strong voice
El Mundo
Alfredo García, well wrapped up by the group of choristers, burst in with determination and then gave samples of his scenic versatility in the successive characters he was representing.
“… freatured the consistent vocal cast formed by the elegant baritone Alfredo García as Don Quijote … “
In the press
… the inspired and powerful baritone from Madrid Alfredo García showed off with “Ya mis horas felices” by zarzuela La del Soto del Parral
In the press
Alfredo García among the best singers chosen by the collaborators of Ópera Actual all over the world.
In the press
Alfredo García, maximum specialist in the music of Tomas Marco, shows a gripping and lyric vocal timbre, malleability, good diction and warm and gentle phrasing. He is firm in the highest passages (up to F and G3)
In the press
Among the vocal cast, the baritone Afredo García deserves a special mention as the protagonist.
In the press
Alfredo García-to whom the opera was dedicated-solved the paper with full expression. Taking the responsibility of defending a title that I knew in Seville its second interpretation very seriously.
In the press
Magnificent Garcia in his complex vocal range….
In the press
We highlight the baritone Alfredo García who displays good manners to endorse the dramatic arc that corresponds to him. The singer wants to endorse the stage from the beginning and nothing stop him. He moves decisively with grace, understanding that Don Quixote is what he is. The seriousness, the constant anger with the entire universe, the madness that can leave a trail of humor or despair. We must add its powerful, versatile and full of beautiful colors and precise voice. Alfredo Garcia is a serious candidate for a total singer.
In the press
Baritone Alfredo Garcia knows really well the character of Don Quixote … he was very confident in vocal technique and necessary theatrical skills. García dominates the entire cast.
In the press
The baritone who sings Don Quixote, hoards vocalism and presence … excellent Alfredo Garcia.
In the press
… with a baritone, Alfredo Garcia, who shone with his performance and powerful voice of “hidalgo manchego”.
In the press
But there is one protaganist, the Baritone, Alfredo García, who recites and interprets the reckless soldier of Stravinky´s piece and, without continuum, sings the role in the Poulenc. He is very good in both works, but it is the sum of the two that shows the merit of the challenge won…it comes out unscathed in a combat that puts all of a modern singer´s registers into play: singing, theatricality, spunk and versatility.
To sum it up, a great artistic success…once more, when risk lurks, great artists apply themselves to give their best.
In the press
Du bord d’abîmes, includes the special participation of Baritone, Alfredo García… García plays here with his evident acting abilities, creating personalities, including the most dramatic moments, with a great freshness, a full voice, beatiful, well placed, elegant, as he has shown throughout his now quite long career. He was greatly applauded.
The base singer Alfredo Garcia proved himself to be a well rounded baritone, so well directed by the conductor that , with perfection, saved the last two risqué final arias
…Alfredo Garcia, a baritone whose vocal ability always surprises , is superb in the lower register and sweet and melodic in the middle and high registers.
Alfredo Garcia was the baritone who astounded with his vocal quality, expressiveness and impeccable diction.
The baritone Alfredo Garcia was really effective as the owner of a robust instrument, capable of imposing the orchestral masses with authority.
Alfredo Garcia showed authority and grandeur..
Alfredo García made the solo counterpoint to the intense “Estanca nº 8” with his strong and expressive voice…
The baritone, Alfredo Garcia, showed, as well as a powerful voice, a great sense of spectacle, in those fragments recited with a convincing Argentine accent and a grandiloquent style which married effectively with the nature of the work…
…prominent role of Alfredo Garcia… Alfredo Garcia’s voice, so confident in its technical complication to sing by heart, dignified what would be completed by…
In the eerie and barren piece of Ohana, intensely dramatic, acted with full credit … Alfredo Garcia, powerful baritone voice-only soloist that needed no amplification-, who ruled his demanding role with great dramatic flair
Garcia was overflowing singing that music, so stark but so melodious
…profound interpretation …warm and restrained interpretation of Alfredo Garcia …
…singers Alfredo García and Raquel Lojendio, who move across their registration with an accurate intonation and reproduce the arch of the phrasing with a strong and expressive personality.
… Alfredo Garcia … The great difficulty was overcome by a powerful voice, beautiful tone and superb, clear and precise diction, so you could enjoy the content ..
The best, the Pasquariello of Alfredo Garcia, Leporello in one piece, by nerve, duplicity and cunning, and finally here, a strong voice
The best voices were undoubtedly those of Garcia, imposing great actor and voice …
Making a success with audiences and critics at the premiere of the opera” El Caballero de la Triste Figura”.
Five minutes of applause and ovation. At the head of the cast highlighted … Alfredo Garcia in the role of Don Quixote …
…excellent level, a manifestation of the way in which artistic talent can achieve solvency levels that are in no way guaranteed …Alfredo Garcia as Don Quixote … worked very well … With admirable professionalism in carrying out the work … .
… highlighting the lofty style of singing of Alfredo Garcia embodying the protagonist of this opera.
.… Gold brooch with the premiere of El Caballero de la Triste Figura … The cast has satisfied the expectations… headed by the musician and Alfredo Garcia, a young baritone with fresh voice and a good actor who plays Don Quixote …
…Vocally the performance was superb in the baritone Alfredo Garcia …
.. A great job … Among the melodious voices, we could highlight the voice of the baritone, Alfredo Garcia (full-bodied and vigorous timbre)
It is a source of great joy that at the time of listing these merits, more than relevant, quotations are for two young Spanish singers … Alfredo Garcia gave the measure of a feathered and groundbreaking Papageno, almost perfect might say…The duet of his encounter with Pamina represented one of the jewels in the representation
…individuality with unusual qualities … the Spanish baritone Alfredo Garcia Huerga, in the role of Guglielmo.
… Alfredo Garcia triumphs in Vienna for the premiere of El Barberillo de Lavapiés….
The Spanish singer continues to garner public acclaim for his portrayal of “The Lavapies Barberillo” in Vienna.
..Alfredo Garcia managed to reach a really worth seeing Barberillo, lively, smooth, full of ductility and strength in acting and singing.
… Alfredo Garcia, flexible baritone that thrilled with their representation and expertise and was a Barberillo applauded by a fascinated public.
… The premiere of Francisco Barbieri’s zarzuela sparkles at the Kammeroper.
…The wonderfully cast Spanish singers, led by the baritone Alfredo García as the picaresque, busybody barber Lamparilla and soprano Silvia Vázquez….romp vocally and dramatically thoughout with vivacious Latin abandon
…A first class Spanish cast delights in the Kammeroper’s production of “El Barberillo de Lavapiés”
The level of the voices was truly excellent…. The cast led by Alfredo Garcia, a booming Lamparilla, a young baritone, endowed with excellent vocal and artistic skills.
Viva España en Viena……Singers full of character and vocally gifted …. Alfredo Garcia (Lamparilla )…What really counts is the interpretation full of temperament, intense and compelling movements in moments of dance of the soloists, all Spanish singers, zarzuela experts and vocally gifted…
… The Zarzuela El Barberillo de Lavapiés triumphs in Vienna … thanks to the grace and daring of a group of young Spanish artists and experts… The opening night was welcomed by an audience who knew how to thank the hectic pace of a show in which Alfredo Garcia (Lamparilla) showed off the movements that the work required at all times.
Success for El Barbero de Lavapiés … As for the singers, we must highlight the barber Lamparilla (Alfredo García), a suburban hero, in love with himself, who believes him to be important and to dominate the situation.
… Alfredo Garcia certainly caused a real sensation in the aria from Kalman Zupan, beautifully interpreted.
The cast of performers … was the most homogeneous, refined and expressive of what we have been fortunate to see and hear in this opera … Alfredo Garcia (Mauregato), full bodied and living and sober colour, formed a striking couple.