{"id":1906,"date":"2015-11-25T19:30:17","date_gmt":"2015-11-25T19:30:17","guid":{"rendered":"http:\/\/alfredogarcia.com\/english\/?p=1906"},"modified":"2015-12-10T09:29:30","modified_gmt":"2015-12-10T09:29:30","slug":"le-bal-masque-de-f-poulenc-teatros-del-canal-demadrid","status":"publish","type":"post","link":"https:\/\/alfredogarcia.com\/english\/blog\/le-bal-masque-de-f-poulenc-teatros-del-canal-demadrid\/","title":{"rendered":"“Le Bal Masque” by F. Poulenc & “L’historie du soldat” by I. Stravinsky. Teatros del Canal de Madrid"},"content":{"rendered":"[et_pb_section admin_label=”section” fullwidth=”on” specialty=”off” transparent_background=”off” allow_player_pause=”off” inner_shadow=”off” parallax=”off” parallax_method=”off” padding_mobile=”off” make_fullwidth=”off” use_custom_width=”off” width_unit=”on” make_equal=”off” use_custom_gutter=”off”][et_pb_fullwidth_header admin_label=”T\u00edtulo de anchura completa” title=”%22Le Bal Masque%22
\nF. Poulenc
\n%22L’historie du soldat%22
\nI. Stravinsky” subhead=”Teatros del Canal de Madrid. November 25, 2015. 7:30 pm” background_layout=”dark” text_orientation=”left” header_fullscreen=”on” header_scroll_down=”on” background_url=”http:\/\/alfredogarcia.com\/english\/wp-content\/uploads\/sites\/5\/2015\/11\/IMG_1463b.jpg” parallax=”on” parallax_method=”off” content_orientation=”center” image_orientation=”bottom” title_font=”|||on|” title_font_size=”33″ content_font_size=”16″ custom_button_one=”off” button_one_letter_spacing=”0″ button_one_use_icon=”default” button_one_icon_placement=”right” button_one_on_hover=”on” button_one_letter_spacing_hover=”0″ custom_button_two=”off” button_two_letter_spacing=”0″ button_two_use_icon=”default” button_two_icon_placement=”right” button_two_on_hover=”on” button_two_letter_spacing_hover=”0″ scroll_down_icon=”%%1%%” subhead_font=”Old Standard TT|on|||” background_overlay_color=”rgba(0,0,0,0.31)” subhead_font_size=”19px” button_one_text=”See program” button_one_url=”http:\/\/alfredogarcia.com\/wp-content\/uploads\/2015\/11\/PROGRAMA_CONCIERTO_25DENOVIEMBRE.pdf” button_two_text=”BBVA Foundation” button_two_url=”http:\/\/www.fbbva.es\/TLFU\/tlfu\/esp\/areas\/cultura\/conciertos\/fichaconcier\/index.jsp?codigo=1262″ button_one_text_size=”20″ button_one_border_width=”2″ button_one_border_radius=”3″ button_one_border_radius_hover=”3″ button_two_text_size=”20″ button_two_border_width=”2″ button_two_border_radius=”3″ button_two_border_radius_hover=”3″]\n

___________________________________________________<\/p>\n

ALFREDO GARCIA<\/strong>,<\/strong> baritone<\/p>\n

ORQUESTA KOAN 2<\/strong><\/p>\n

JOS\u00c9 RAM\u00d3N ENCINAR,<\/b>\u00a0conductor<\/p>\n

ELISA ENCINAR<\/strong>, film and 3D animation<\/p>\n

Sponsored by the BBVA Foundation<\/p>\n[\/et_pb_fullwidth_header][\/et_pb_section][et_pb_section admin_label=”section” fullwidth=”off” specialty=”off” transparent_background=”off” allow_player_pause=”off” inner_shadow=”off” parallax=”on” parallax_method=”off” padding_mobile=”off” module_id=”agendann_test” make_fullwidth=”off” use_custom_width=”off” width_unit=”on” make_equal=”off” use_custom_gutter=”off” gutter_width=”3″ background_image=”http:\/\/alfredogarcia.com\/wp-content\/uploads\/2015\/02\/minimalistic-gray_003422191.jpg”][et_pb_row admin_label=”row” make_fullwidth=”on” use_custom_width=”off” width_unit=”on” use_custom_gutter=”on” gutter_width=”2″ padding_mobile=”off” allow_player_pause=”off” parallax=”off” parallax_method=”off” make_equal=”off” parallax_1=”off” parallax_method_1=”off” column_padding_mobile=”on”][et_pb_column type=”1_2″][et_pb_testimonial admin_label=”Testimonial” author=”%22Le bal masqu\u00e9%22 de Poulenc and %22L’historie du soldat%22 de Stravisnky” job_title=”Jorge Fern\u00e1ndez Guerra” company_name=”www.docenotas.com. November 2015″ url=”http:\/\/alfredogarcia.com\/wp-content\/uploads\/2015\/11\/Segundo-Concierto-Teatralizado-de-Jos\u00e9-Ram\u00f3n-Encinar_-Messiaen-Stravinsky-Poulenc-y-al-hoyo-Doce-Notas.pdf” url_new_window=”off” portrait_url=”http:\/\/alfredogarcia.com\/wp-content\/uploads\/2015\/07\/IMG_1311.bjpgb_.jpg” quote_icon=”on” use_background_color=”on” background_color=”#f5f5f5″ background_layout=”light” text_orientation=”left” module_id=”#agenda_test” use_border_color=”off” border_color=”#ffffff” border_style=”solid” saved_tabs=”all” portrait_border_radius=”90″ portrait_width=”90″ portrait_height=”90″ body_font_size=”14″]\n

In the press<\/strong><\/h3>\n

But there is one protaganist, the Baritone, Alfredo Garc\u00eda<\/strong>, who recites and interprets the reckless soldier of Stravinky\u00b4s piece and, without continuum, sings the role in the Poulenc. He is very good in both works, but it is the sum of the two that shows the merit of the challenge won. Maybe the dead acoustic of the Sala Verde (Green Auditorium) of the Teatros del Canal muffles the merit of the singer, but it comes out unscathed in a combat that puts all of a modern singer\u00b4s registers into play: singing, theatricality, spunk and versatility.<\/p>\n

To sum it up, a great artistic success\u2026once more, when risk lurks, great artists apply themselves to give their best.<\/strong><\/p>\n[\/et_pb_testimonial][\/et_pb_column][et_pb_column type=”1_2″][et_pb_testimonial admin_label=”Testimonial” author=”%22Le bal masqu\u00e9%22 de Poulenc and %22L’historie du soldat%22 de Stravisnky” job_title=”Alicia Perris” company_name=”M\u00fasica, Arte y Cultura. November 2015″ url=”http:\/\/alfredogarcia.com\/wp-content\/uploads\/2015\/11\/M\u00fasica-arte-y-cultura_-PROTEICO-CONCIERTO-DE-LA-FUNDACI\u00d3N-BBVA-EN-LOS-TEATROS-DEL-CANAL.pdf” url_new_window=”off” portrait_url=”http:\/\/alfredogarcia.com\/wp-content\/uploads\/2015\/11\/IMG_1823d.jpg” quote_icon=”on” use_background_color=”on” background_color=”#f5f5f5″ background_layout=”light” text_orientation=”left” module_id=”#agenda_test” use_border_color=”off” border_color=”#ffffff” border_style=”solid” saved_tabs=”all” portrait_border_radius=”90″ portrait_width=”90″ portrait_height=”90″ body_font_size=”14″]\n

In the press<\/strong><\/h3>\n

 <\/p>\n

Du bord d\u2019ab\u00eemes, includes the special participation of Baritone, Alfredo Garc\u00eda<\/strong>\u2026 Garc\u00eda plays here with his evident acting abilities, creating personalities, including the most dramatic moments, with a great freshness, a full voice, beatiful, well placed, elegant, as he has shown throughout his now quite long career. He was greatly applauded.<\/p>\n[\/et_pb_testimonial][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section admin_label=”section” fullwidth=”off” specialty=”off” transparent_background=”off” allow_player_pause=”off” inner_shadow=”off” parallax=”off” parallax_method=”off” custom_padding=”0|0″ padding_mobile=”off” make_fullwidth=”off” use_custom_width=”off” width_unit=”on” make_equal=”off” use_custom_gutter=”off”][et_pb_row admin_label=”row” make_fullwidth=”on” use_custom_width=”off” width_unit=”on” use_custom_gutter=”on” gutter_width=”1″ custom_padding=”0|0″ padding_mobile=”off” allow_player_pause=”off” parallax=”off” parallax_method=”off” make_equal=”off”][et_pb_column type=”4_4″][et_pb_text admin_label=”Texto” background_layout=”light” text_orientation=”left” use_border_color=”off” border_color=”#ffffff” border_style=”solid” text_font_size=”14″]

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