{"id":1574,"date":"2010-11-06T06:53:51","date_gmt":"2010-11-06T06:53:51","guid":{"rendered":"http:\/\/alfredogarcia.com\/english\/?p=1574"},"modified":"2015-09-19T19:59:44","modified_gmt":"2015-09-19T19:59:44","slug":"missa-brevis-en-do-k259-de-mozart-visita-del-papa-espana","status":"publish","type":"post","link":"https:\/\/alfredogarcia.com\/english\/blog\/missa-brevis-en-do-k259-de-mozart-visita-del-papa-espana\/","title":{"rendered":"Missa Brevis in C K259 de Mozart. Visit of Pope to Spain"},"content":{"rendered":"[et_pb_section admin_label=”section” fullwidth=”on” specialty=”off” transparent_background=”off” allow_player_pause=”off” inner_shadow=”off” parallax=”off” parallax_method=”off” padding_mobile=”off” make_fullwidth=”off” use_custom_width=”off” width_unit=”on” make_equal=”off” use_custom_gutter=”off”][et_pb_fullwidth_header admin_label=”T\u00edtulo de anchura completa” title=”Missa Brevis in C K259
\nW.A. Mozart” subhead=”Santiago de Compostela. Visit of Pope to Spain
\nNovember 6, 2010″ background_layout=”dark” text_orientation=”left” header_fullscreen=”on” header_scroll_down=”on” background_url=”http:\/\/alfredogarcia.com\/english\/wp-content\/uploads\/sites\/5\/2015\/07\/ROSMAR-1.jpg” parallax=”on” parallax_method=”off” content_orientation=”center” image_orientation=”bottom” title_font=”|||on|” title_font_size=”33″ content_font_size=”20″ custom_button_one=”off” button_one_letter_spacing=”0″ button_one_use_icon=”default” button_one_icon_placement=”right” button_one_on_hover=”on” button_one_letter_spacing_hover=”0″ custom_button_two=”off” button_two_letter_spacing=”0″ button_two_use_icon=”default” button_two_icon_placement=”right” button_two_on_hover=”on” button_two_letter_spacing_hover=”0″ scroll_down_icon=”%%1%%” subhead_font=”|on|||” subhead_font_size=”19px” content_font=”Old Standard TT||||”]\n

____________________________________<\/p>\n

 <\/p>\n

Nuria Rial<\/strong>, soprano<\/p>\n

Carlos Mena<\/strong>,\u00a0countertenor<\/p>\n

Agust\u00edn\u00a0Prunell-Friend<\/strong>, tenor<\/p>\n

Alfredo Garc\u00eda<\/strong>,\u00a0baritone<\/p>\n

 <\/p>\n

Real Filarmon\u00eda<\/strong><\/p>\n

Coro de la\u00a0Catedral<\/strong>
\nAntoni Ros\u00a0Marb\u00e0<\/strong>,\u00a0conductor<\/p>\n[\/et_pb_fullwidth_header][\/et_pb_section][et_pb_section admin_label=”section” fullwidth=”off” specialty=”off” disabled=”on”][et_pb_row admin_label=”row” make_fullwidth=”on” use_custom_width=”off” width_unit=”on” use_custom_gutter=”on” gutter_width=”2″ padding_mobile=”off” allow_player_pause=”off” parallax=”off” parallax_method=”off” make_equal=”off”][et_pb_column type=”4_4″][et_pb_text admin_label=”Texto” background_layout=”light” text_orientation=”left” use_border_color=”off” border_color=”#ffffff” border_style=”solid”]

\n\t\t\t\t\t

Notas al programa<\/h2>\n

Esta misa de Mozart\u00a0representa un ejemplo extremo de lo que podr\u00eda llamarse la “tradici\u00f3n de Colloredo,” que exig\u00eda econom\u00eda en la m\u00fasica lit\u00fargica.<\/p>\n

El Credo, de 84 compases, es extremadamente breve, en comparaci\u00f3n, por ejemplo, con el Credo de la Missa Longa de Mozart en\u00a0Do (K. 262), que\u00a0termina con una fuga que dura 120 compases.<\/p>\n

El solo de \u00f3rgano del que deriva su apodo\u00a0aparece en el Benedictus, y sigue una tradici\u00f3n\u00a0de las misas de Austria. De hecho, y como escribe H.C. Robbins Landon, “El conjunto de la Misa de Mozart es muy austr\u00edaca, hasta el delicioso Agnus Dei, con su viol\u00edn mel\u00f3dico primero (m\u00e1s tarde se concebir\u00eda como parte\u00a0vocal) y su bajo en travieso pizzicato”.<\/p>\n

Aunque la mayor\u00eda de las referencias\u00a0 hist\u00f3ricas la sit\u00faan en diciembre de\u00a0 1776, la fecha del manuscrito, al\u00a0 parecer, ha sido manipulada. La\u00a0 investigaci\u00f3n de la marca de agua\u00a0 indica que, junto con la Missa brevis\u00a0 en\u00a0Do “, Spaur” (K. 258),\u00a0 probablemente se compuso un a\u00f1o\u00a0 antes.<\/p>\n

Teniendo en cuenta el cargo oficial de\u00a0 su padre en la capilla arzobispal, y su\u00a0 propio nombramiento en Salzburgo\u00a0 (primeramente como concertino y m\u00e1s\u00a0 tarde como organista), era natural que\u00a0 Mozart compusiese m\u00fasica religiosa\u00a0 con bastante regularidad desde\u00a0 temprana edad.<\/p>\n

La m\u00fasica sacra de Mozart no se diferencia mucho de una \u00f3pera en el aspecto musical. Sus Misas est\u00e1n escritas en el estilo sinf\u00f3nico-oper\u00edstico propio de este per\u00edodo, mezclando con fugas en ciertos momentos, seg\u00fan la costumbre vigente, y todo ello concebido para coro y solistas que se alternan libremente con el acompa\u00f1amiento orquestal.<\/p>\n

Notas: Alfredo Garc\u00eda<\/em><\/p>\n

<\/div><\/div> [\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section admin_label=”section” fullwidth=”off” specialty=”off” transparent_background=”off” allow_player_pause=”off” inner_shadow=”off” parallax=”on” parallax_method=”off” padding_mobile=”off” make_fullwidth=”off” use_custom_width=”off” width_unit=”on” make_equal=”off” use_custom_gutter=”off” background_image=”http:\/\/alfredogarcia.com\/english\/wp-content\/uploads\/sites\/5\/2015\/02\/minimalistic-gray_003422191.jpg”][et_pb_row admin_label=”row” make_fullwidth=”on” use_custom_width=”off” width_unit=”on” use_custom_gutter=”off” padding_mobile=”off” allow_player_pause=”off” parallax=”off” parallax_method=”off” make_equal=”off”][et_pb_column type=”4_4″][et_pb_tabs admin_label=”Pesta\u00f1as” tab_font=”Old Standard TT||||” tab_font_size=”17″ tab_text_color=”#919191″ tab_letter_spacing=”3px” tab_line_height=”1.8em” use_border_color=”off” border_color=”#ffffff” border_style=”solid”] [et_pb_tab title=”COLABORATIONS WITH A. ROS MARB\u00c0” tab_font_select=”default” body_font_select=”default”]\n[et_pb_blog admin_label=”Blog” fullwidth=”of” posts_number=”10″ meta_date=”M j, Y” show_thumbnail=”on” show_content=”off” show_more=”on” show_author=”of” show_date=”on” show_categories=”of” show_pagination=”on” background_layout=”light” include_categories=”38″ \/]\n

[\/et_pb_tab] [\/et_pb_tabs][\/et_pb_column][\/et_pb_row][\/et_pb_section]\n","protected":false},"excerpt":{"rendered":"

Nuria Rial, soprano
\nCarlos Mena, countertenor
\nAgust\u00edn Prunell-Friend, tenor
\nAlfredo Garc\u00eda, baritone<\/p>\n

Real Filarmon\u00eda
\nCoro de la Catedral<\/p>\n

Antoni Ros Marb\u00e0, conductor<\/p>\n","protected":false},"author":1,"featured_media":1137,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","_mi_skip_tracking":false,"_links_to":"","_links_to_target":""},"categories":[38,14],"tags":[],"yoast_head":"\nMissa Brevis in C K259 de Mozart. Visit of Pope to Spain - Alfredo Garc\u00eda<\/title>\n<meta name=\"description\" content=\"Performance of the Missa Brevis by Mozart in Santiago de Compostela during the visit of the Pope Ratzinger to Spain. Real Filarmon\u00eda. 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