{"id":1405,"date":"2014-03-05T21:30:39","date_gmt":"2014-03-05T21:30:39","guid":{"rendered":"http:\/\/alfredogarcia.com\/english\/?p=1405"},"modified":"2015-09-08T22:59:29","modified_gmt":"2015-09-08T22:59:29","slug":"mesa-redonda-en-torno-a-la-opera-del-s-xix","status":"publish","type":"post","link":"https:\/\/alfredogarcia.com\/english\/blog\/mesa-redonda-en-torno-a-la-opera-del-s-xix\/","title":{"rendered":"Round table on opera in the Nineteenth Century"},"content":{"rendered":"[et_pb_section admin_label=”section” fullwidth=”on” specialty=”off” transparent_background=”off” allow_player_pause=”off” inner_shadow=”off” parallax=”off” parallax_method=”off” padding_mobile=”off” make_fullwidth=”off” use_custom_width=”off” width_unit=”on” make_equal=”off” use_custom_gutter=”off”][et_pb_fullwidth_header admin_label=”r” title=”Round table on opera
\nin the Nineteenth Century” subhead=”At the Universidad Aut\u00f3noma de Madrid” background_layout=”dark” text_orientation=”right” header_fullscreen=”on” header_scroll_down=”on” background_url=”http:\/\/alfredogarcia.com\/english\/wp-content\/uploads\/sites\/5\/2015\/07\/andres_acting5-Editada.png” parallax=”on” parallax_method=”on” content_orientation=”bottom” image_orientation=”bottom” title_font=”|||on|” title_font_size=”33″ content_font_size=”16″ custom_button_one=”off” button_one_letter_spacing=”0″ button_one_use_icon=”default” button_one_icon_placement=”right” button_one_on_hover=”on” button_one_letter_spacing_hover=”0″ custom_button_two=”off” button_two_letter_spacing=”0″ button_two_use_icon=”default” button_two_icon_placement=”right” button_two_on_hover=”on” button_two_letter_spacing_hover=”0″ scroll_down_icon=”%%1%%” subhead_font=”Old Standard TT|on|||” subhead_font_size=”20px”]\n

___________________________________________________<\/p>\n

 <\/p>\n

Alfredo Garc\u00eda<\/strong>, \u00a0baritone<\/p>\n

Raquel Lojendio, <\/b>soprano<\/p>\n

Andr\u00e9s Salado,<\/strong>\u00a0conductor<\/p>\n

Bego\u00f1a Lolo (director of \u00a0CSIPM)<\/p>\n[\/et_pb_fullwidth_header][\/et_pb_section][et_pb_section admin_label=”section” fullwidth=”off” specialty=”off”][et_pb_row admin_label=”row” make_fullwidth=”on” use_custom_width=”off” width_unit=”on” use_custom_gutter=”on” gutter_width=”2″ padding_mobile=”off” allow_player_pause=”off” parallax=”off” parallax_method=”off” make_equal=”off”][et_pb_column type=”4_4″][et_pb_text admin_label=”Texto” background_layout=”light” text_orientation=”left” use_border_color=”off” border_color=”#ffffff” border_style=”solid”]

\n\t\t\t\t\t

MESA REDONDA<\/strong><\/h3>\n

La \u00d3pera C\u00f3mica en los Albores del Siglo XX IV<\/h4>\n

 <\/p>\n

Aula de M\u00fasica del CSIPM \u00bfQu\u00e9 ocurre con la \u00f3pera a principios del siglo XX? La respuesta a \u00e9sta y otras preguntas se ofrecer\u00e1 en la pr\u00f3xima mesa redonda perteneciente a la IV Edici\u00f3n del Curso Dale Cr\u00e9ditos a tus O\u00eddos, donde se tomar\u00e1n dos \u00f3peras como referencia: El tel\u00e9fono o El Amor a Tres, de Gian Carlo Menotti, y El secreto de Susanna de Ermanno Wolf-Ferrari. Para llevarla a cabo, contaremos con la participaci\u00f3n de Andr\u00e9s Salado (director OPUS 23), Alfredo Garc\u00eda (Bar\u00edtono) y Raquel Lojendio (soprano), y con Bego\u00f1a Lolo (directora del CSIPM) como moderadora. Entrada Libre.<\/p>\n

<\/h4>\n
\u00a0<\/div><\/div><\/div>\n[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section admin_label=”section” fullwidth=”off” specialty=”off” transparent_background=”off” allow_player_pause=”off” inner_shadow=”off” parallax=”on” parallax_method=”off” padding_mobile=”off” make_fullwidth=”off” use_custom_width=”off” width_unit=”on” make_equal=”off” use_custom_gutter=”off” background_image=”http:\/\/alfredogarcia.com\/english\/wp-content\/uploads\/sites\/5\/2015\/02\/minimalistic-gray_003422191.jpg”][et_pb_row admin_label=”row” make_fullwidth=”on” use_custom_width=”off” width_unit=”on” use_custom_gutter=”off” padding_mobile=”off” allow_player_pause=”off” parallax=”off” parallax_method=”off” make_equal=”off”][et_pb_column type=”4_4″][et_pb_tabs admin_label=”Pesta\u00f1as” tab_font=”Old Standard TT||||” tab_font_size=”17″ tab_text_color=”#919191″ tab_letter_spacing=”3px” tab_line_height=”1.8em” use_border_color=”off” border_color=”#ffffff” border_style=”solid”] [et_pb_tab title=”COLBORATIONS WITH ANDR\u00c9S SALADO” tab_font_select=”default” body_font_select=”default”]\n[et_pb_blog admin_label=”Blog” fullwidth=”of” posts_number=”10″ meta_date=”M j, Y” show_thumbnail=”on” show_content=”off” show_more=”on” show_author=”of” show_date=”on” show_categories=”of” show_pagination=”on” background_layout=”light” include_categories=”39″ \/]\n[\/et_pb_tab] [\/et_pb_tabs][\/et_pb_column][\/et_pb_row][\/et_pb_section]\n","protected":false},"excerpt":{"rendered":"

Alfredo Garc\u00eda, baritone
\nRaquel Lojendio, soprano
\nAndr\u00e9s Salado, conductor<\/p>\n","protected":false},"author":1,"featured_media":1409,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","_mi_skip_tracking":false,"_links_to":"","_links_to_target":""},"categories":[39,14],"tags":[],"yoast_head":"\nRound table on opera in the Nineteenth Century - Alfredo Garc\u00eda<\/title>\n<meta name=\"description\" content=\"Round table on opera in the Nineteenth Century at the UAM. Alfredo Garc\u00eda baritone, Raquel Lojendio soprano and Andr\u00e9s Salado conductor\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/alfredogarcia.com\/english\/blog\/mesa-redonda-en-torno-a-la-opera-del-s-xix\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Round table on opera in the Nineteenth Century - Alfredo Garc\u00eda\" \/>\n<meta property=\"og:description\" content=\"Round table on opera in the Nineteenth Century at the UAM. Alfredo Garc\u00eda baritone, Raquel Lojendio soprano and Andr\u00e9s Salado conductor\" \/>\n<meta property=\"og:url\" content=\"https:\/\/alfredogarcia.com\/english\/blog\/mesa-redonda-en-torno-a-la-opera-del-s-xix\/\" \/>\n<meta property=\"og:site_name\" content=\"Alfredo Garc\u00eda\" \/>\n<meta property=\"article:published_time\" content=\"2014-03-05T21:30:39+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2015-09-08T22:59:29+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/alfredogarcia.com\/english\/wp-content\/uploads\/sites\/5\/2014\/03\/IMG_4127d.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1511\" \/>\n\t<meta property=\"og:image:height\" content=\"1118\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Alfredo Garc\u00eda\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Alfredo Garc\u00eda\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"3 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/alfredogarcia.com\/english\/blog\/mesa-redonda-en-torno-a-la-opera-del-s-xix\/\",\"url\":\"https:\/\/alfredogarcia.com\/english\/blog\/mesa-redonda-en-torno-a-la-opera-del-s-xix\/\",\"name\":\"Round table on opera in the Nineteenth Century - Alfredo Garc\u00eda\",\"isPartOf\":{\"@id\":\"https:\/\/alfredogarcia.com\/english\/#website\"},\"datePublished\":\"2014-03-05T21:30:39+00:00\",\"dateModified\":\"2015-09-08T22:59:29+00:00\",\"author\":{\"@id\":\"https:\/\/alfredogarcia.com\/english\/#\/schema\/person\/f1c2e0d40fcd4deaa92f7585f4661c78\"},\"description\":\"Round table on opera in the Nineteenth Century at the UAM. Alfredo Garc\u00eda baritone, Raquel Lojendio soprano and Andr\u00e9s Salado conductor\",\"breadcrumb\":{\"@id\":\"https:\/\/alfredogarcia.com\/english\/blog\/mesa-redonda-en-torno-a-la-opera-del-s-xix\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/alfredogarcia.com\/english\/blog\/mesa-redonda-en-torno-a-la-opera-del-s-xix\/\"]}]},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/alfredogarcia.com\/english\/blog\/mesa-redonda-en-torno-a-la-opera-del-s-xix\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Portada\",\"item\":\"https:\/\/alfredogarcia.com\/english\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Round table on opera in the Nineteenth Century\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/alfredogarcia.com\/english\/#website\",\"url\":\"https:\/\/alfredogarcia.com\/english\/\",\"name\":\"Alfredo Garc\u00eda\",\"description\":\"Bar\u00edtone\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/alfredogarcia.com\/english\/?s={search_term_string}\"},\"query-input\":\"required name=search_term_string\"}],\"inLanguage\":\"en-US\"},{\"@type\":\"Person\",\"@id\":\"https:\/\/alfredogarcia.com\/english\/#\/schema\/person\/f1c2e0d40fcd4deaa92f7585f4661c78\",\"name\":\"Alfredo Garc\u00eda\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/alfredogarcia.com\/english\/#\/schema\/person\/image\/\",\"url\":\"https:\/\/secure.gravatar.com\/avatar\/3bab137e283fa6ad0711e570e917daed?s=96&d=mm&r=g\",\"contentUrl\":\"https:\/\/secure.gravatar.com\/avatar\/3bab137e283fa6ad0711e570e917daed?s=96&d=mm&r=g\",\"caption\":\"Alfredo Garc\u00eda\"},\"url\":\"https:\/\/alfredogarcia.com\/english\/blog\/author\/similaresoldofa\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Round table on opera in the Nineteenth Century - Alfredo Garc\u00eda","description":"Round table on opera in the Nineteenth Century at the UAM. Alfredo Garc\u00eda baritone, Raquel Lojendio soprano and Andr\u00e9s Salado conductor","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/alfredogarcia.com\/english\/blog\/mesa-redonda-en-torno-a-la-opera-del-s-xix\/","og_locale":"en_US","og_type":"article","og_title":"Round table on opera in the Nineteenth Century - Alfredo Garc\u00eda","og_description":"Round table on opera in the Nineteenth Century at the UAM. Alfredo Garc\u00eda baritone, Raquel Lojendio soprano and Andr\u00e9s Salado conductor","og_url":"https:\/\/alfredogarcia.com\/english\/blog\/mesa-redonda-en-torno-a-la-opera-del-s-xix\/","og_site_name":"Alfredo Garc\u00eda","article_published_time":"2014-03-05T21:30:39+00:00","article_modified_time":"2015-09-08T22:59:29+00:00","og_image":[{"width":1511,"height":1118,"url":"https:\/\/alfredogarcia.com\/english\/wp-content\/uploads\/sites\/5\/2014\/03\/IMG_4127d.jpg","type":"image\/jpeg"}],"author":"Alfredo Garc\u00eda","twitter_card":"summary_large_image","twitter_misc":{"Written by":"Alfredo Garc\u00eda","Est. reading time":"3 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"WebPage","@id":"https:\/\/alfredogarcia.com\/english\/blog\/mesa-redonda-en-torno-a-la-opera-del-s-xix\/","url":"https:\/\/alfredogarcia.com\/english\/blog\/mesa-redonda-en-torno-a-la-opera-del-s-xix\/","name":"Round table on opera in the Nineteenth Century - Alfredo Garc\u00eda","isPartOf":{"@id":"https:\/\/alfredogarcia.com\/english\/#website"},"datePublished":"2014-03-05T21:30:39+00:00","dateModified":"2015-09-08T22:59:29+00:00","author":{"@id":"https:\/\/alfredogarcia.com\/english\/#\/schema\/person\/f1c2e0d40fcd4deaa92f7585f4661c78"},"description":"Round table on opera in the Nineteenth Century at the UAM. Alfredo Garc\u00eda baritone, Raquel Lojendio soprano and Andr\u00e9s Salado conductor","breadcrumb":{"@id":"https:\/\/alfredogarcia.com\/english\/blog\/mesa-redonda-en-torno-a-la-opera-del-s-xix\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/alfredogarcia.com\/english\/blog\/mesa-redonda-en-torno-a-la-opera-del-s-xix\/"]}]},{"@type":"BreadcrumbList","@id":"https:\/\/alfredogarcia.com\/english\/blog\/mesa-redonda-en-torno-a-la-opera-del-s-xix\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Portada","item":"https:\/\/alfredogarcia.com\/english\/"},{"@type":"ListItem","position":2,"name":"Round table on opera in the Nineteenth Century"}]},{"@type":"WebSite","@id":"https:\/\/alfredogarcia.com\/english\/#website","url":"https:\/\/alfredogarcia.com\/english\/","name":"Alfredo Garc\u00eda","description":"Bar\u00edtone","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/alfredogarcia.com\/english\/?s={search_term_string}"},"query-input":"required name=search_term_string"}],"inLanguage":"en-US"},{"@type":"Person","@id":"https:\/\/alfredogarcia.com\/english\/#\/schema\/person\/f1c2e0d40fcd4deaa92f7585f4661c78","name":"Alfredo Garc\u00eda","image":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/alfredogarcia.com\/english\/#\/schema\/person\/image\/","url":"https:\/\/secure.gravatar.com\/avatar\/3bab137e283fa6ad0711e570e917daed?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/3bab137e283fa6ad0711e570e917daed?s=96&d=mm&r=g","caption":"Alfredo Garc\u00eda"},"url":"https:\/\/alfredogarcia.com\/english\/blog\/author\/similaresoldofa\/"}]}},"_links":{"self":[{"href":"https:\/\/alfredogarcia.com\/english\/wp-json\/wp\/v2\/posts\/1405"}],"collection":[{"href":"https:\/\/alfredogarcia.com\/english\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/alfredogarcia.com\/english\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/alfredogarcia.com\/english\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/alfredogarcia.com\/english\/wp-json\/wp\/v2\/comments?post=1405"}],"version-history":[{"count":7,"href":"https:\/\/alfredogarcia.com\/english\/wp-json\/wp\/v2\/posts\/1405\/revisions"}],"predecessor-version":[{"id":2928,"href":"https:\/\/alfredogarcia.com\/english\/wp-json\/wp\/v2\/posts\/1405\/revisions\/2928"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/alfredogarcia.com\/english\/wp-json\/wp\/v2\/media\/1409"}],"wp:attachment":[{"href":"https:\/\/alfredogarcia.com\/english\/wp-json\/wp\/v2\/media?parent=1405"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/alfredogarcia.com\/english\/wp-json\/wp\/v2\/categories?post=1405"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/alfredogarcia.com\/english\/wp-json\/wp\/v2\/tags?post=1405"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}